Pop Art Masters – Introduction to Pop Art History
PRE-POP: |
LARRY RIVERS: "WHY I PAINT AS I DO"
Frank OHara
BUT TODAY WE COLLECT ADS
Alison and Peter Smithson
LETTER TO PETER AND ALISON SMITHSON
Richard Hamilton
THE ARTS AND THE MASS MEDIA
Lawrence Alloway
MIXED MEDIUMS FOR A SOFT REVOLUTION
Thomas B. Hess
JASPER JOHNS
Robert Rosenblum
From AFTER ABSTRACT EXPRESSIONISM
Clement Greenberg
POP ART AND AFTER
Jasia Reichardt
From ROBERT RAUSCHENBERG
Alan R. Solomon
| PHENOMENON: |
MONTH IN REVIEW: NEW YORK EXHIBITIONS
Sidney Tillim
"POP" CULTURE, METAPHYSICAL DISGUST, AND THE NEW VULGARIANS
Max Kozloff
LONDON COURT FINES A GALLERY FOR "INDECENT" POP-ART DISPLAY
Dana Adams Schmidt
DADA, CAMP, AND THE MODE CALLED POP
John Adkins Richardson
POP REAPPRAISED
John Russell
POPULAR CULTURE AND POP ART
Lawrence Alloway
PRESENT-DAY STYLES AND READY-MADE CRITICISM
Peter Plagens
THE ART WORLD: MARILYN MONDRIAN
Harold Rosenberg
OLDENBURG, LICHTENSTEIN, WARHOL: A DISCUSSION
Bruce Glaser
FURTHER OBSERVATIONS ON THE POP PHENOMENON
Sidney Tillim
From LOS ANGELES LETTER
Jules Langsner
THE NEW AMERICAN "SIGN PAINTERS"
G. R. Swenson
ON THE THEME OF THE EXHIBITION
Sidney Janis
THE NEW PAINTING OF COMMON OBJECTS
John Coplans
ART – AVANT-GARDE REVOLT
Brian O’Doherty
KITSCH INTO "ART", THE NEW REALISM
Gilbert Sorrentino
DADA, THEN AND NOW
Barbara Rose
A SYMPOSIUM ON POP ART
Peter Selz, Henry Geldzahler, Hilton Kramer, Dore Ashton, Leo Steinberg, Stanley Kunitz
POP ART AT THE GUGGENHEIM
Barbara Rose
THE FLACCID ART
Peter Selz
ANTI-SENSIBILITY PAINTING
Ivan C. Karp
THE NEW ART
Alan R. Solomon
POP ART, USA
John Coplans
POP AND PUBLIC
Thomas B. Hess
From WHAT IS POP ART? PART I
Interviews by C. R. Swenson
From WHAT IS POP ART? PART II
Interviews by C. R. Swenson
POP ART SELLS ON AND ON – WHY?
John Canaday
THE BIENNALE: HOW EVIL IS POP ART?
Tullia Zevi
DISSIMULATED POP
Max Kozloff
POP ART EXHIBITED, AND IT’S CRAZY, DAD
Unsigned
POP ART AND NON-POP ART
Robert Rosenblum
| POP MASTERS: |
ROY LICHTENSTEIN
EVERYTHING CLEAR NOW?
Unsigned
IN THE GALLERIES: ROY LICHTENSTEIN
Donald Judd
ROY LICHTENSTEIN AND THE REALIST REVOLT
Robert Rosenblum
ROY LICHTENSTEIN, FERUS GALLERY
Douglas McClellan
IS HE THE WORST ARTIST IN THE U.S.?
Dorothy Seiberling
POP ARTIST SWITCHES TO AGGRESSIVE NEUTRAL BANALITY
John Ashbery
TALKING WITH ROY LICHTENSTEIN
John Coplans
ROY LICHTENSTEIN AND THE COMIC STRIP
Albert Boime
ROY LICHTENSTEIN
Diane Waldman
CLAES OLDENBURG
STATEMENT
Claes Oldenburg
NEW YORK LETTER
Michael Fried
Off Off-Broadway: "HAPPENINGS" AT RAY GUN MFG. CO.
Jill Johnston
THE LIVING OBJECT
Ellen H. Johnson
From MARCEL DUCHAMP AND COMMON OBJECT ART
Gerald Nordland
IN THE GALLERIES: CLAES OLDENBURG
DonaId Judd
OBJECT-MAKING
Oyvind Fahlstrom
CLAES OLDENBURG’S SOFT MACHINES
Barbara Rose
From CLAES OLDENBURG
Richard Kostelanetz
JAMES ROSENQUIST
REVIEWS AND PREVIEWS: NEW NAMES THIS MONTH
James Rosenquist
Gene R. Swenson
JAMES ROSENQUIST
Edward F. Fry
LOS ANGELES: JAMES ROSENQUIST
William Wilson
JAMES ROSENQUIST: ASPECTS OF A MULTIPLE ART
Lucy R. Lippard
THE MAN IN THE PAPER SUIT
Doon Arbus
ART: A NEW HANGAR FOR ROSENQUIST’S JET-POP "F-111"
Hilton Kramer
RE THE F-111: A COLLECTOR’S NOTES
Robert C. Scull
ROSENQUIST AT THE MET: AVANT-GARDE OR RED GUARD?
Sidney Tillim
ART
Lawrence Alloway
ANDY WARHOL
ANDY WARHOL, FERUS GALLERY
Henry T. Hopkins
From NEW YORK LETTER
Michael Fried
IN THE GALLERIES: ANDY WARHOL
Donald Judd
SAINT ANDREW
Unsigned
REVIEWS AND PREVIEWS: NEW NAMES THIS MONTH
Andy Warhol
Thomas B. Hess
SUPERPOP OR A NIGHT AT THE FACTORY
Roger Vaughan
WARHOL: THE SILVER TENEMENT
David Antin
"PRINCE OF BOREDOM" THE REPETITIONS AND PASSIVITIES OF ANDY WARHOL
William Wilson
EARLY WARHOL: THE SYSTEMATIC EVOLUTION OF THE IMPERSONAL STYLE
John Coplans
OTHER FIGURES :
ALLAN D’ARCANGELO
IN THE GALLERIES: ALLAN D’ARCANGELO
Vivien Raynor
HIGHWAYS & BY-WAYS
Nicolas Calas
JIM DINE
JIM DINE AND THE PSYCHOLOGY OF THE NEW ART
Alan R. Solomon
NEW YORK: JIM DINE
Robert Pincus- Witten
OYVIND FAHLSTROM
OYVIND FAHLSTROM MODELS OF SHATTERED REALITY
Torsten Ekbom
ROBERT INDIANA
THE HORIZONS OF ROBERT INDIANA
G. R. Swenson
FOREWORD
Jan van der Marck
MEL RAMOS
IN THE GALLERIES: MEL RAMOS
Jay Jacobs
THE ART OF MEL RAMOS
Robin Skelton
EDWARD RUSCHA
EDWARD RUSCHA, FERUS GALLERY
Nancy Marmer
CONCERNING "VARIOUS SMALL FIRES":
EDWARD RUSCHA DISCUSSES HIS PERPLEXING PUBLICATIONS
John Coplans
GEORGE SEGAL
SEGAL’S VITAL MUMMIES
Allan Kaprow
PLASTER CASTE
John Perreault
PETER SAUL
REVIEWS AND PREVIEWS: NEW NAMES THIS MONTH
Peter Saul
Jack Kroll
PETER SAUL
Ellen H. Johnson
WAYNE THIEBAUD
REVIEWS AND PREVIEWS: NEW NAMES THIS MONTH
Wayne Thiebaud
Thomas B. Hess
THIEBAUD: EROS IN CAFETERIA
Diane Waldman
JOHN WESLEY
IN THE GALLERIES: JOHN WESLEY
DonaId Judd
TOM WESSELMANN
ART: "POP" SHOW BY TOM WESSELMANN IS REVISITED
Brian O’Doherty
TOM WESSELMANN AND THE GATES OF HORN
J.A. Abramson
| REVISING POP: Later Critical Reflections |
AMERICAN PAINTING DURING THE COLD WAR
Max Kozloff
THAT OLD THING, ART…
Roland Barthes
THE RISE OF ANDY WARHOL
Robert Hughes
From THE INDEPENDENT GROUP: BRITISH AND AMERICAN POP ART,
A "PALIMPCESTUOUS" LEGACY
Lynne Cooke
From POP TRIUMPHANT: A NEW REALISM
Bruce Altshuler
